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・ Traction Software
・ Traction splint
・ Traction substation
・ Traction TeamPage
・ Tractive effort
・ Tractive force
・ Tractography
・ Tractolira
・ Tractolira delli
・ Tractolira germonae
・ Tractolira sparta
・ Tractolira tenebrosa
・ Tracton
・ Tracton GAA
・ Tractor
Tractor (band)
・ Tractor (disambiguation)
・ Tractor beam
・ Tractor Brewing Company
・ Tractor bundle
・ Tractor configuration
・ Tractor Monkeys
・ Tractor PTO auger
・ Tractor pulling
・ Tractor Sazi F.C.
・ Tractor Sazi F.C. Academy
・ Tractor Stadium
・ Tractor Supply Company
・ Tractor Tom
・ Tractor Tug William M


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Tractor (band) : ウィキペディア英語版
Tractor (band)

Tractor is a band founded in Rochdale, Lancashire, England by guitarist/vocalist Jim Milne and drummer Steve Clayton in 1971. Both had been members of a beat group, The Way We Live since 1966. They are notable both for their appreciation by John Peel and Julian Cope, but also for their longevity because as of 2007, they are still performing. The band was produced initially by schoolfriend sound engineer John Brierley.
==Early history==
In the early days, the main marketing tool of unsigned hopeful bands was to send demo tapes. Accordingly, a tape was sent by John Brierley to Elektra Records part of the CBS group. Clive Selwood was the CBS UK operations manager and he listened to the tape and liked what he heard. He and his partner DJ John Peel signed the band to their Dandelion Records label. Peel had a fondness for Rochdale, having worked in a cotton mill there before becoming a DJ. Clive Selwood came to Rochdale to sign up the band.〔(Band history )〕
The group was booked into London's Spot Studios and finished the sessions within two days, and in January 1971 the band's debut album, ''A Candle for Judith'' was released, credited to ''The Way We Live''. The release, named after Clayton's then girlfriend, later wife, earned immediate critical acclaim "...impeccable in both technique and emotion"... Al Clark writing in ''Time Out'' in London in 1971.
Meanwhile, Peel bought the band recording equipment and a stereo PA system. He also convinced the band to change their name. Looking out of his kitchen window at Peel Acres in Suffolk, he spied a tractor in the fields adjacent to his house and recommended it as a name to them. Tractor's first release after the name change from The Way We Live was a 7 inch maxi single – ''"Stoney Glory"/"Marie"/"As You Say"''—for Dandelion. They also backed up another Dandelion act – Beau—on his ''Creation'' album (1971). All of this recording was done in an attic and bedroom studio of a terraced house in Edenfield Road Rochdale, which John Peel named Dandelion Studios,Rochdale to tie in with his record label Dandelion Records.
The duo's first full-length follow-up was released in 1972. By January 1973, the album was earning positive reviews. ''Melody Maker'' stated "albums don't come any better than this", Bob Harris, Anne Nightingale on BBC Radio 1 and Kid Jensen on Radio Luxembourg, all gave airplay to the album and it climbed to 18 in the Radio Luxembourg album charts, and to 30 in the Virgin Bestseller charts. Sound engineer John Brierley was eventually replaced by former ''The Way We Live'' singer Alan Burgess and, along with Milne, and Clayton, the group began building a studio in Dawson Street, Market Street Heywood, Lancashire, named Tractor Sound Studios, again partially financed by John Peel. This studio would feature in a BBC film about Rochdale, Heywood, and John Peel, when the band and Chris Hewitt revisited the studio in December 2006. In September 2009, the location of Tractor Sound Studios was celebrated with a blue plaque as a testimonial to the members of Tractor and John Peel. Unveiled by Steve Clayton, Peter Hook-Joy Division/New Order), Rev Mike Huck and Chris Hewitt The plaque is mounted on the front of the building. The part finished third album for Dandelion, which was to be eventually released in the 1990s as ''Worst Enemies'', was recorded at both Chipping Norton Recording Studios, Oxfordshire and Tractor Sound Studios, Heywood.
Tractor eventually left the Dandelion label, which had effectively ceased to operate for about 17 years in 1973-confirmed by John Peel's article on Dandelion ceasing for a while in 1973

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